“I found the show quite revealing of how the language of mythology has different energies and transformations across cultures. There is much to explore in the way Vahdat Yeganeh’s theatrical sensibility has been shaped by his exposure to archetypes in the Iranian context. And this finds expression in his use of color and the strange affinity to the dream-like score of the piano by Engin Ozsahin.” Rustom Bharucha-writer, director and cultural critic. Author of ‘Theatre and the World’ and ‘The Politics of Cultural Practice’. <\/p>\r\n

\u201cLocated at the interstices of theatre, music, and storytelling, it wove a compelling story with movement and sound.\u201d Dr.Robert Lublin-Professor of Theatre Arts, College of Liberal Arts, University of Massachusetts Boston<\/p>\r\n

\u201cThis show reaches into the bones and invites of the breath and is worth embracing mutliple times.\u201d Tamera Marko-Executive Director of the Elma Lewis Center, Emerson College<\/p>\r\n

\u201cI recommend watching the production twice. It is worth it as the richness of the production increases the second time and no doubt the third too.\u201d Heather Waters-editor at The Theatre Times. <\/p>\r\n