{"id":2,"date":"2011-05-26T18:49:09","date_gmt":"2011-05-26T23:49:09","guid":{"rendered":"http:\/\/bostonexperimentaltheatre.com\/?page_id=2"},"modified":"2023-01-11T02:10:18","modified_gmt":"2023-01-11T02:10:18","slug":"the-misunderstanding","status":"publish","type":"page","link":"https:\/\/bostonexperimentaltheatre.com\/","title":{"rendered":""},"content":{"rendered":"
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Towards a Theatre of Unknown and Dialogue of Civilizations! <\/span><\/em><\/span><\/h2>\r\n
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SOLD OUT<\/strong><\/span><\/h1>\r\n

“Engaging, Fantastical, and Speculative” The Broadway World<\/a><\/b><\/em><\/h3>\r\n

Zahhak:<\/a><\/span> The Legend of the Serpent King <\/b><\/h2>\r\n

January 12-15, 2023-Free Admission <\/strong><\/p>\r\n

At American Repertory Theater<\/strong><\/p>\r\n

Loeb Experimental Theater: 64 Beattle St, Cambridge, MA 02138<\/p>\r\n

Click Here<\/a> for Tickets <\/strong><\/p>\r\n

Learn More About This Production <\/a><\/b><\/p>\r\n

“A unique theatrical enterprise inspired by both western and eastern theatrical traditions, and rooted in the organic connections among artists working within a minimalist production design.” MIZAN<\/a><\/em><\/span><\/strong><\/p>\r\n

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Learn More<\/strong><\/a><\/h2>\r\n

Zahhak: The Legend of the Serpent King<\/i><\/b> is presented as part of American Repertory Theater\u2019s Dialogue of Civilizations<\/b> program in coordination with Boston Experimental Theatre.<\/p>\r\n

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“I found the show quite revealing of how the language of mythology has different energies and transformations across cultures. There is much to explore in the way Vahdat Yeganeh’s theatrical sensibility has been shaped by his exposure to archetypes in the Iranian context. And this finds expression in his use of color and the strange affinity to the dream-like score of the piano by Engin Ozsahin.” Rustom Bharucha-writer, director, and cultural critic. Author of ‘Theatre and the World’ and ‘The Politics of Cultural Practice’. <\/p>\r\n

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“This show reaches into the bones and invites of the breath and is worth embracing multiple times.” Tamera Marko-Executive Director of the Elma Lewis Center, Emerson College<\/p>\r\n

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“I recommend watching the production twice. It is worth it as the richness of the production increases the second time and no doubt the third too.” Heather Waters-editor at The Theatre Times. <\/p>\r\n

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“Located at the interstices of theatre, music, and storytelling, it wove a compelling story with movement and sound.” Dr.Robert Lublin-Professor of Theatre Arts, College of Liberal Arts, University of Massachusetts Boston<\/p>\r\n

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M(O)ther<\/a><\/span> <\/h1>\r\n
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Watch<\/a> the full production and the post discussion<\/b><\/span><\/span><\/p>\r\n

Watch the Trailer <\/span><\/span><\/strong><\/a><\/p>\r\n

Online Collaboration Among Artists from Iran, Iraq, Turkey, South Africa, and the United States. Original Music, Modern Poetries (Farsi, Arabic, Turkish, English), Live Drawings and Physical Performance<\/span>s. Learn More<\/a><\/span> <\/strong><\/span><\/p>\r\n

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\"\"<\/a>\u201cThe Boston Experimental Theatre (BET) has created a production that manages to reflect our odd, current times while managing to infuse the show with longing, connectivity, and joy.\u201d   The Theatre Times<\/a>. <\/p>\r\n

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<\/a>Watch Vahdat Yeganeh’s Adaptation of Antonin Artaud’s Spurt of Blood & To Have Done With the Judgment of God \u2193\u2193<\/span><\/h2>\r\n